WELCOME TO MY PORTFOLIO

Collection of exterior objects. Inspired by the forms of underwater fauna

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 A ceramic interior art project created using authentic antique Balkan roof tiles.
Each piece is adorned with traditional Balkan ornamental patterns and enriched with antique metal artifacts, evoking layers of history and cultural memory.

The collection consists of vases of various sizes, as well as a dish composed from carefully assembled ceramic fragments, symbolizing resilience, transformation, and the beauty born from rupture.

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 This collection is based on a psychological concept, where the human psyche is largely shaped by defense mechanisms. These mechanisms allow an individual to present themselves to society. The images in this collection are contradictory and fantastic portraits of these psychological defenses, formed through a wide range of characters, from cartoon figures to religious imagery. 

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The vase is the first object in a series of interior ceramic works — a project that explores the transitional states of materials and textures.
Experiments with materials and chemical compositions were aimed at discovering new surfaces and tactile qualities capable of expressing the essence of the image. 

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A series of vases inspired by various cones and seeds

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 At times, hands shape something on their own. It may appear like a spiritualistic session, but the result is not a communication from the spirits; it's a form. What’s surprising about this form is that it came into being by itself — it wasn't a vision or an image in the mind, but rather a result of the fingers moving in a specific way, driven by an unconscious impulse. 

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The seed is a very symbolic object. It is the cradle of the future. When we plant a seed, we are filled with hope. Having sometimes a very bizarre fantastic form, the seed also stores content inside, endless fractals directed to the future.

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This collection is a study of how the chosen proportions, color and texture affect the final object. 

A minimal change in proportions turns an antique object into a modern one and vice versa, the natural color of clay on one form looks like metal and on another like plastic.

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This collection appeared when I started studying the history of Montenegrin kings. But when 

I started making crowns, I fell in love with this form and what this object means.

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